The Enemy's Game Plan
by Michael Moriarty, Actor and Columnist
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Michael Douglas and Sean Penn, either wittingly or unwittingly,
revealed the enemy's 50-year-long game plane in a film aptly entitled The
Game. It should be obligatory viewing in every capitol of what's left of
Free World Intelligence, from Langley Field to MI6 in London.
Briefly put, drive the United States so insane with the "Game" until
its citizens stand up and start shooting each other so maniacally that they'll
ultimately commit suicide in shame. The Vietnam peace protests were just a preview
of what the enemy is now capable of within the continental USA. That sixties
civil unrest will look like a mildly angry letter to the editor, compared to
what's in store for us.
In
The Game, the CRS (Consumer Recreation Services), which might as well
stand for 'Communists Re-ignite Socialism,' suck Douglas into their clutches
with the indispensable help of his brother, played by Penn. The CRS then begins
to display its awesomely ubiquitous power. There seems to be no one in North
America who isn't, wittingly or unwittingly, working for the CRS. The hero is
driven to his financial knees and a highly justified paranoia, until he turns
in a rage and shoots his own brother. Then, in massive self-loathing, the hero
leaps from the top of the very building where he committed the murder.
The Game is the Bible according to Osama bin Laden: Homicidal suicide
is the only road to heaven.
Here's the stunning CRS enticement. By committing a homicidal/suicidal act,
Douglas has now become "enlightened" and receives the most ironic
of communist heavens: another New York cocktail party and a date with the CRS
Posse Queen who helped lead him into his own personal hell. Waiting for him
at the building's ground level is the very capitalist heaven he'd grown bored
with. In other words, The Game last two scenes are either the communist's
idea of hell, or a true admission of what communists have always wanted, which
is to possess everything the capitalists have, but to do so without the individual
freedom, courage and God-given gifts required to create that wealth.
"The common denominator of the English-speaking peoples," proclaimed
Sir Winston Churchill, "is individual freedom. We are its creators, protectors
and guarantors."
According to the Republic of Cameroon's NGO (non-governmental organization)
spokesman at the United Nations: "The enemy is individual freedom."
The battle-lines drawn could not be any clearer.
To paraphrase a profound truth from Penn: The so-called experts have led
us to the brink of war. Now it's everyone's individual responsibility to protect
his or her own personal freedom and sanity.
This remarkable actor has certainly exercised his own individual freedom. God
bless him! The chaos of this decade of terrorism has not driven him to anything
but quests for peace.
My position, however, is to erase the CRS game plan by exposing the real prophet
of North Korea and global terrorism: Karl Jihad Marx.
If there's a God that struck down the Twin Towers, his name is not Allah. It's
Karl Jihad Marx. If President George W. Bush wants to find the heart of darkness
of worldwide terrorism, he must do a cardiac trace, following more than a paper
trail. He's close to the enemy's nest when he names two sides of the Axis of
Evil — Baghdad and Pyongyang. If attack dogs assault you, you don't talk
to the animals; you talk to the owners. The leashes on these two pit bulls lead
all the way to Beijing, KGB Moscow Headquarters and half the capital cities
of the European Union.
Robert Kagan of the Carnegie Endowment for International Peace pointed out the
obvious truth behind the deep recalcitrance of France and Germany to ally themselves
with the U.S. in a war against Iraq.
Commenting on Kagan's revelation, Alexander Rose of Canada's National Post
observed that: "The American/European elites are generally far to the left
of the voters, which explains why anti-Americanism has frequently been an elite,
leftist preoccupation, contemptuous of the general population."
To put it bluntly, Germany and France don't like or admire America any more
than do Iraq's Saddam Hussein, North Korea's Kim Jong Il, Russia's Vladimir
Putin or the Politburo in Beijing.
Meanwhile, in Canada, the Liberal elitists call President Bush a "moron"
— a euphemism for what the leaders of that country's "Natural Governing
Party" really feel about the now isolated American ideal of individual
freedom.
North Americans were all much safer under the tensions of the Cold War than
we are now under the guise of such lies as perestroika, glasnost and realpolitik.
Should the U.S. attack Iraq or North Korea unilaterally, the CRS, with the help
of a very liberal elite in the press, will label America the biggest bully since
the Third Reich stormed into Poland.
What Washington, D.C. refuses to understand is that what the White House contemplates
as a theater of war has actually been turned by their enemies into a war of
theater. If there's one thing I do know about, it's theatre. I have spent my
life in theatre and been honored for my efforts by my peers. So I can tell you
that America is riding into a very theatrical ambush — not one Vietnam,
but two.
What world support the U.S. lost during the Cold War was minor compared to the
absolute disgust America will evoke with its planned assaults on smaller nations.
How do we combat the enemy's GAME PLAN?
Name your old enemies again: KGB Moscow and Red Beijing.
In other words, go after the evil puppetmasters who pull the strings backstage.
No one likes a bully. Even bullies don't like bullies, which shows you why Adolph
Hitler had no choice but to shoot himself.
The only play that the CRS board of directors can honestly cast themselves in
is Macbeth. We all know what happened to the Posse Queen in that hive:
every one of the nightmares that CRS has planned for us. ***
Michael Moriarty is a Golden Globe and Emmy Award winning actor who has appeared in the landmark television series Law and Order, the mini-series Holocaust, and the recent mini-series Taken. In 2002 he won an Emmy for Outstanding Supporting Actor in a Miniseries or a Movie for his work in James Dean.
© 2003 Michael Moriarty
This article originally appeared in Enter Stage Right on January 13, 2003 and in re-run with both Mr. Moriarty's and ESR's permission.
COPYRIGHT © 2003 BY THE AMERICAN PARTISAN. All writers retain rights to their work.
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